其原因是，通过倡导人类的自然愿望，布莱克直接攻击正统的英国国教。他甚至提到了“牧师”和“教堂”。布莱克的愤怒也可以在第二行看到，他谈到看到“我从未见过”。因此，有趣的是，布莱克声称他从来没有看到过他一生都在了解教会对性的态度。也许这意味着布莱克从天真的认为只有进入经验世界和作为一个结果来说，遭受冲击的看到，自由享受它在过去一直被教会剥夺（克罗宁，2000）。以同样的方式，一个明确的不喜欢也可以对于已经在爱的花园发生的变化的角度看。在这一点上，布莱克指的是教会也表示不喜欢。在这些方面，对教会有明确的批评，也有与宗教信仰有关的教会的做法。此外，诗人还做出了一个罪名，教会不允许他们开心，反而是把抒情的压力。在第十八世纪英国的现实语境看，在实践和理论，已经被英国教会采用的观点，这些线路也表达谁没有按照当时英国教会也不赞成由教会对圣经的解读人的感情。这样，虽然这首诗很刺激，但同时也反映了喜剧的一些现实存在于十八世纪。
加拿大戏剧学essay代写:自然愿望
The reason was that by advocating the natural desires of human beings, Blake had made a direct attack on the orthodox Anglican Church. He had even mentioned 'priests' and 'Chapel'. The indignation of Blake can also be seen in the second line when he talks about seeing “what I had never seen”. Therefore it is interesting to note that Blake claims to have never seen it when he had literally spent all his life knowing the attitude of the church towards sexuality. Perhaps it means that Blake was speaking from the point of view of innocence that has only entered the world of experience and as a result, suffers a shock to see that the freedoms enjoyed by it in the past have been curtailed by the Church (Cronin, 2000).In the same way, a clear dislike can also be seen in the point regarding the changes that have taken place in the Garden of Love. At this point, Blake is referring to the church and also expressing its dislike. In these lines, there is a clear critique of the church and also the practices of the Church related with religious beliefs. Moreover, the poet has also made an accusation that the Church is not allowing them to be happy and instead it is putting pressure on the lyrical.Seen in the context of realities present in the 18th century England, in view of the practices and doctrines that have been adopted by the Church of England, these lines also express the feelings of the persons who did not follow the Church of England at the time and also did not agree with the interpretation of the Bible by the Church. In this way, although the poem is provocative but at the same time, it also reflects comedies some of the realities present in the 18th century
